"Kites"-Ando Hiroshige, 1797-1858
GMU's Nonfiction Writing Programs
Academics Genres Resources Employment Sponsors Universe Home

Internships in Nonfiction Writing and Editing

   

Internship
Portfolios

Internship
Reflective Analysis

Composing
an E-Portfolio

Available Internships

English 498/504-Internships in Writing and Editing

This course offers you the chance to undertake writing or editing at an organization of your choice, for credit. To enroll, you must first find an organization that would be willing to welcome you as an intern who will be working an average of 10 hours per week over the entire semester. Your primary responsibilities to that organization will be writing and/or editing. If you seek a site for your internship yet have no contacts to help you secure a site, try contacting the organizations that are regularly listed on the Nonfiction Universe main page.

Think of this course as the chance to try your hand at writing for a particular organization that interests you, or in a particular niche industry that you’d like to learn more about. If you have no contacts in that organization or industry, you’d be surprised how many places are willing to take on an intern who is professional and organized in his or her initial contacts with them.


Normally, the internship is unpaid. If you are working to support yourself in your studies and this organization offers you a paid internship, we can waiver the “unpaid” status. Whether paid or unpaid, you may accept stipends to offset expenses.

In some cases, the internship can be taken for 6 hours. If the writing and editing is challenging enough that you will learn a great deal from the experience, and if you will be working 20 hours a week for one semester or 10 hours a week for 2 semesters, the internship can be counted for 6 credits. You must work out the details of such an internship at the time you enroll in it with the course professor.

Once you have secured a site for your internship, you will need to submit an Internship Proposal with the following information:

A. Provide key information about the site and nature of the internship, including kinds of writing and editing that you will be doing, name, phone number, and contact e-mail of the person directly supervising your internship, and tentative schedule (days of the week and hours) for the time you will spend on site.

B. Describe your previous writing and editing experience, noting what you have done in different genres (e.g. literary research papers, workplace memos, newspaper articles, etc.). 1-3 paragraphs

C. State your self-identified strengths and weaknesses in writing and editing. Some categories to think about are the following:

  • Mastering standard edited English conventions, including grammar, editing, usage, etc.
  • Mustering a successful voice or persona in one genre or another
  • Developing and implementing organizational skills, both to support your writing processes and to structure your finished written products
  • Handling collaborative writing

D. State some plans you have for using this internship to improve upon your weaknesses.


E. Provide an initial inventory of writing in this workplace, to the best of your ability. Make a list with short commentary on each kind of writing you see—from sticky notes to annual reports. Note the forms of collaboration (who is involved, and how?), scheduling (frequency and timing), and where and how the writing and/or editing that you will be doing fits into this overall scheme. As concerns the writing/editing you will be doing, provide a detailed account, including how much, in what form, and how often.


Once you have submitted the internship proposal, you will be required to do the following:


1. Keep a weekly log (300-600 words per week) of your internship. Each entry should summarize your writing/editing for the week, note challenges you’ve faced and how you’ve handled them, and note what you’ve learned.

2. Develop and maintain a portfolio of your writing and editing during the internship. You will use this portfolio to discuss your progress with the course professor in individual conferences; it will also help you to compose your end-of-term report. Your weekly log should be part of the portfolio.

3. Meet with the course professor at intervals (every 2-3 weeks) to assess progress. Conferences will last one half hour.

4. Submit an end-of-term report and discuss it, along with your portfolio, with the course professor, at your final scheduled conference. The final report should summarize the internship and highlight ways in which you have broadened your skills. It should refer to specific projects that you see as most important to your growth during the internship (roughly 1500 words).

5. Request that your supervisor at work send to the course professor two concise assessments of your performance in the internship. One will occur at mid-term: a summary of your work and an evaluation of its quality (one or two pages). The second will occur at the end of the term, after he or she has consulted with you. This assessment should summarize your work for the semester, identify your contribution to the mission of the organization, and assess the quality of your performance, noting specific strengths and areas for improvement (two pages).

6. The course professor will base your grade for the internship on the evaluations by the supervisor, the weekly log, the discussions during conferences, the final report, and the portfolio.

An internship can be a great way to begin your career as a professional writer or editor! You get the chance to write or edit under a supervisor in a workplace setting, all the while reflecting on this work and analyzing is with your professor. The portfolio you create—whether three dimensional or online—can be a great boon to your career development.

Please contact Prof. Susan Lawrence for more info:
slawrenb@gmu.edu
Assistant Professor of English
MSN 3E4
George Mason University
Fairfax, VA 22030
(703) 993-1088

 

 

©2003 GMU's Nonfiction Universe Webmaster GMU Main English Department Main